Load image into Gallery viewer, Plugin Bundle 2 for VST, AU, and AAX includes Manis Iteritas, Loquelic Vereor, and Imitor. The Tone page is shown for each plugin. | Noise Engineering

Load image into Gallery viewer, Imitor plugin for VST, AU, and AAX in blue. On the Tone page are main parameters that set the sound of the delay. Presets are also controlled here. | Noise Engineering

Load image into Gallery viewer, Loquelic Vereor in Pink. The tone page shows the main parameters that set the timbre of the synth. Presets are also controlled here. | Noise Engineering

Load image into Gallery viewer, Manis Iteritas for VST, AU, and AAX in Orange. On the Tone page are main parameters that set the timbre of the synth. Presets are also controlled here. | Noise Engineering

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Plugin Bundle 2 for VST, AU, and AAX includes Manis Iteritas, Loquelic Vereor, and Imitor. The Tone page is shown for each plugin. | Noise Engineering

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Plugin Bundle 2 (AAX, AU, VST3)

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Noise Engineering's Plugin Bundle 2. Get our hard-hitting synths Loquelic Vereor and Manis Iteritas, and our experimental delay Imitor now in AAX, AU, and VST3.

Please try the Freequel Bundle first to make sure our plugins are compatible with your system. Unfortunately, we are unable to support plugin registration in areas where open internet is not available.

Plugin Bundle 2 is here! These plugins offer the power of our Eurorack modules with the ease of your DAW. If you want intuitive tools that you’ll be sound designing with right out of the gate, this is the plugin bundle for you.

Plugin Bundle 2 includes
Imitor is a delay designed for experimentation. With up to 32 delay taps and tons of time and tone parameters, Imitor is perfect for creating unusual echoes, experimenting with different delay shapes and patterns, adding vintage flare to an atmosphere, and more. Imitor comes with a load of presets, ranging from your bread-and-butter delay settings to otherworldly, wacky ones that will blow your mind. Or just hit the rand button and see where Imitor takes you. Put Imitor on anything from vocals to rhythms, to instruments and more. Turn it up for long, evolving echoes or crank down the delay times for effects like comb filtering, chorus, and flanging.

Imitor is a playground, it’s a beast asking to be tamed, it’s more. Ask your doctor if Imitor is right for you.

Loquelic Vereor is a complex oscillator built around our interpretations of three classic
synthesis algorithms (VOSIM, phase modulation, summation synthesis). Like the Loquelic Iteritas Eurorack module it’s based on, this Swiss army knife of a synth is capable of a range of sounds that are sure to cut through a mix.

Loquelic Vereor is a complex oscillator, which, while uncommon in the software world, opens up incredible sound-design possibilities. Its two oscillators modulate each other for sounds you have never thought possible in a DAW. From outrageous, chaotic sounds to wild drum sounds to drones, basslines, and leads, with Loquelic Vereor, you can have it all.

Manis Iteritas is built on the concepts of additive, subtractive, and FM synthesis and uses saw waves to realize its unparalleled sound. It can go from gritty and dark to smooth and beautiful with the tweak of a couple of sliders. It is a shapeshifter of a synth. Grab this plugin and use it for almost anything from alien percussion, to unique melodic parts, and otherworldly sounds and sound effects.

In addition, Manis is the genus of the pangolin, the world’s most endangered mammal. Noise Engineering is proud to be a founding business partner of Savepangolins.org. A portion of the proceeds of every Manis Iteritas sold will be contributed to pangolin conservation. Buy a plugin, feel good about yourself!

All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization.

Features

Plugin Bundle 2 includes Manis Iteritas, Loquelic Vereor, and Imitor

Manis Iteritas: Gritty and dark or beautiful and sweet saw-based synth

Inspired by the popular Eurorack module: bridge the gap between the sounds of modular and your DAW production
Easy to automate, user-friendly controls. No prior synthesis experience needed, but synth enthusiasts will also be excited by the simple-yet-powerful interface
Unique synthesis algorithms using only saw waves creates unique timbres you’ll never hear anywhere else
Choose between complex phase modulation or additive synthesis structures
Perfect for abstract percussion, bass, leads, and effects
Shape your sounds with controls like Saw Mod, Profundity, Bash, and Smash

Loquelic Vereor: Swiss army knife synth for sound design based on our complex oscillator module

Inspired by the popular Eurorack module: bridge the gap between the sounds of modular and your DAW production
Easy to automate, user-friendly controls. No prior synthesis experience needed, but synth enthusiasts will also be excited by the simple-yet-powerful interface
Create sounds using three unique interpretations of classic synthesis algorithms
Unique complex oscillator architecture makes complex sound design a breeze
West-coast inspired: bring wavefolding, wavemorphing, cross modulation, and other unique sonic tools to your productions, no hardware required
Features an analog-inspired resonant multimode gate for subtractive timbral shaping
Control dynamics and modulate timbre with a four-stage ADSR or unique two-stage Percido envelope
Use the Random button to generate new patches in one click
Add width to your sounds with a vintage-inspired chorus

Imitor: 32-tap delay designed for experimentation

Huge delay time range from below 1ms to 1.5s between taps
Use a single tap for traditional echos, or add in up to 32 taps for complex delay patterns
Tap display shows tap structure and visualizes echos for easy tweaking
Disable taps and use the flexible panning, dynamics, and timing controls to create wild echo patterns
Add tap modulation for stereo width and vintage effects
Sync to host tempo with flexible time divisions: create triplets, dotted notes, or straight rhythms
Use millisecond delay times to create comb filters, flangers, and other wild effects
Change echo timbre with the resonant DJ-style filter, or the Shimmer and Doom feedback effects
Add warmth and flavor or outright distortion with the Crunch output effect

Common features:

Complex internal modulation: route macro controls, step sequencers, envelopes, random values, and powerful LFOs to almost any parameter
Tooltips make it easy to use Manis Iteritas
Easy-to-use MIDI learn
Bring your patches to life with MPE compatibility
Complex MIDI mappings include velocity and polyphonic aftertouch
Customize the interface to your liking: change the color, add fire, resize the window, and more
Loads of presets included to get you started or use the Random button to generate new patches in one click
AAX, AU, VST®

Manuals: Imitor Manual

Loquelic Vereor Manual

Manis Iteritas Manual

System Requirements

64-bit only
Windows	Windows 10+
Mac	MacOS 10.14+; Intel and M1 Native

Processor information:

Our Intel compatible plugins require the SSE4.1 instruction set.
This was added in the Intel 45nm Penryn architecture in 2007.
Compatible AMD processors are Bulldozer, Piledriver, Steamroller and Ryzen families.
In the Macverse, any Mac built after 2010 should have the required instructions.

This is a minimum required specification.

For optimal experience, we recommend Intel's Haswell or later and AMD's Ryzen family.
We also recommend Apple's desktop CPUs (M1 and friends).

“Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”
Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

“A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”
Danielle Thwaites (Daiza)

“I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”
Daniel Miller (Mute Records)

“Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”
Sofia Hultquist (Drum & Lace)

“Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”
Matt Lange

“The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”
Michael Bradford

“Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”
Lauren Kop (MiniBear)

“As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”
Elana Belle Carroll (Party Nails)

“The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”
René G. Boscio

“The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”
Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

“The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”
Tiff Randol (IAMEVE)

“I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"
Tom Hall, Cycling ’74, Errorgrid

“As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”
Tori Letzler (TINYKVT)

“Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”
Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)

“Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”

Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

“A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”

Danielle Thwaites (Daiza)

“I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”

Daniel Miller (Mute Records)

“Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”

Sofia Hultquist (Drum & Lace)

“Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”

Matt Lange

“The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”

Michael Bradford

“Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”

Lauren Kop (MiniBear)

“As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”

Elana Belle Carroll (Party Nails)

“The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”

René G. Boscio

“The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”

Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

“The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”

Tiff Randol (IAMEVE)

“I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"

Tom Hall, Cycling ’74, Errorgrid

“As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”

Tori Letzler (TINYKVT)

“Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”

Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)