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Loquelic Vereor Plugin Tone page in pink | Noise Engineering
Loquelic Vereor Plugin Modulation page in pink | Noise Engineering
Loquelic Vereor Plugin Configuration page in pink | Noise Engineering

Loquelic Vereor Plugin (AU, AAX, and VST3)

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Three classic synthesis algorithms in a complex-oscillator synth make a Swiss army knife of a plugin.

Please try the Freequel Bundle first to make sure everything works on your system. Unfortunately, we are unable to support plugin registration in areas where open internet is not available.

Loquelic Vereor is built around our interpretations of three classic synthesis algorithms (VOSIM, phase modulation, summation synthesis). Like the Loquelic Iteritas Eurorack module it’s based on, this synth is capable of a range of sounds that are sure to cut through a mix.

Loquelic Vereor is a complex oscillator, which, while uncommon in the software world, opens up incredible sound-design possibilities. At its core are two oscillators that modulate each other for sounds you have never thought possible in a DAW. Loquelic Vereor also features a quick-to-use MIDI learn function for almost every parameter in the synth, as well as the option to map parameters to velocity, pitch, and aftertouch. All Noise Engineering plugins feature an extensive modulation system, too, so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization. From outrageous, chaotic sounds to wild drum sounds to drones, basslines, and leads, with Loquelic Vereor, you can have it all.



Features

  • Inspired by the popular Eurorack module: bridge the gap between the sounds of modular and your DAW production
  • Easy to automate, user-friendly controls. No prior synthesis experience needed, but synth enthusiasts will also be excited by the simple-yet-powerful interface
  • Create sounds using three unique interpretations of classic synthesis algorithms
  • Unique complex oscillator architecture makes complex sound design a breeze
  • West-coast inspired: bring wavefolding, wavemorphing, cross modulation, and other unique sonic tools to your productions, no hardware required
  • Features an analog-inspired resonant multimode gate for subtractive timbral shaping
  • Control dynamics and modulate timbre with a four-stage ADSR or unique two-stage Percido envelope
  • Use the Random button to generate new patches in one click
  • Add width to your sounds with a vintage-inspired chorus
  • Complex internal modulation: route macro controls, step sequencers, envelopes, random values, and powerful LFOs to almost any parameter
  • Tooltips make it easy to use Loquelic Vereor
  • Customize the interface to your liking: change the color, resize the window, add fire, and more
  • Easy-to-use MIDI learn
  • Bring your patches to life with MPE compatibility
  • Complex MIDI mappings include velocity and polyphonic aftertouch
  • Library of 1,000+ presets included
  • AAX, AU, VST®

Manuals

System Requirements

64-bit only
Windows Windows 10+
Mac MacOS 10.14+; Intel and M1 Native

Processor information: 

Our Intel compatible plugins require the SSE4.1 instruction set. 
This was added in the Intel 45nm Penryn architecture in 2007. 
Compatible AMD processors are Bulldozer, Piledriver, Steamroller and Ryzen families. 
In the Macverse, any Mac built after 2010 should have the required instructions.

This is a minimum required specification. 

For optimal experience, we recommend Intel's Haswell or later and AMD's Ryzen family. 
We also recommend Apple's desktop CPUs (M1 and friends).

 

  • “Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”

  • Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

  • “A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”

  • Danielle Thwaites (Daiza)

  • “I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”

  • Daniel Miller (Mute Records)

  • “Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”

  • Sofia Hultquist (Drum & Lace)

  • “Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”

  • Matt Lange

  • “The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”

  • Michael Bradford

  • “Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”

  • Lauren Kop (MiniBear)

  • “As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”

  • Elana Belle Carroll (Party Nails)

  • “The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”

  • René G. Boscio

  • “The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”

  • Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

  • “The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”

  • Tiff Randol (IAMEVE)

  • “I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"

  • Tom Hall, Cycling ’74, Errorgrid

  • “As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”

  • Tori Letzler (TINYKVT)

  • “Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”

  • Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)

“Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”

Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

“A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”

Danielle Thwaites (Daiza)

“I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”

Daniel Miller (Mute Records)

“Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”

Sofia Hultquist (Drum & Lace)

“Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”

Matt Lange

“The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”

Michael Bradford

“Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”

Lauren Kop (MiniBear)

“As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”

Elana Belle Carroll (Party Nails)

“The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”

René G. Boscio

“The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”

Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

“The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”

Tiff Randol (IAMEVE)

“I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"

Tom Hall, Cycling ’74, Errorgrid

“As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”

Tori Letzler (TINYKVT)

“Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”

Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)

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