Who are you and what do you do?
I’m a producer and live performer specializing in electronic music, particularly focusing on techno and darker, experimental sounds. My work intricately combines modular synthesis, live performance, and elements of guitar-driven music.

You’ve been in the scene for a long time. How did you first get into electronic music?
My journey began as a kid experimenting with guitar pedals, which naturally led me into the realm of electronic music. I started using gear like the ARP Avatar guitar synth, and iconic drum machines such as the TR-808, 909, 606, and 303.
In my first band, which gained some traction, I quickly replaced the drummer with a 606. Our sound blended neo-punk and darkwave, creating a chaotic yet perfect environment to explore guitar synths and effects.
Simultaneously, I was producing for other bands using equipment like the Emulator II, OB-X, TR-808, and Minimoog. This eventually led me into TV and stage music, at which point I fully embraced electronic music.
What can you tell us about your workflow? How do you make the music you make?
I’m very lazy but also disciplined so every day 5 pm is studio time. I split the time 50-50 on tracks I produce and experimenting with new ideas. Currently my goal is to replace all my DJ gigs with live performances which is a big step since I play mostly big stages which are not a place for mistakes. Also in the pipeline is my band which is more darkwave where I use my modular but also play a 8 string guitar.
In my studio I have 3 sections and 3 modular racks. First is my live setup which I kinda keep relatively the same and is 70% based on NE modules and a TR 1000. My second modular is where I try out new modules and experiment. Also I have some really complex modules in that rack which I can't really use live. Modules which I really like and I can use live migrate to my live rack. The last rack is a monster case where I keep all my modules which sometimes I don't use for months and then I kinda rediscover them. There is also a new section which is guitar based but that will come to light after summer.
How do you use Noise Engineering gear in your setup?
In my live rig I have four NE voices, two Versio modules (both with reverb), and two Mimetic Digitalis which I use only as modulation (I hate LFOs) and are really essential to my sound because live I can do quick changes and get very controllable randomness. I love the voices not only because of the sound but also I can get out of one module very different sounds at the same time because on my sequencer I can program model changes per step which opens many possibilities.
I believe live performance is the most exciting direction for the genre, offering a unique platform to reintroduce originality into the scene.

You’re known for your high-energy techno performances. What inspires your sound?
Despite playing large venues and Festivals , I often immerse myself in illegal raves and underground clubs, where I draw most of my creative energy and ideas.
Techno has become quite commercial, with many artists adopting similar sounds and production techniques. Ironically, in their quest to stand out, many end up sounding alike. Social media amplifies this trend, as everyone showcases similar tracks.
Consequently, I believe live performance is the most exciting direction for the genre, offering a unique platform to reintroduce originality into the scene.
How has Eurorack influenced the way that you play?
Eurorack was for me a salvation. I always had a problem with finishing productions because I always think it can be better and working in the studio with a DAW or performing with synths live kinda demands everything to be programmed to the end. Eurorack allows me to never be definitive and I can change my music all the time, actually I can’t even repeat what I played the day before.
Where can people find your work?
In the past, I was performing nearly 90 shows a year, which limited my time for releasing music. Nevertheless, the EPs and singles I released found their way into the Top 10.
In 2026, I chose to reduce my live performances to focus more on production. Currently, I'm wrapping up three new EPs and several collaborations, all slated for upcoming release.
You can find more from Tomo Raw on Instagram, Beatport, and YouTube.