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  • Load image into Gallery viewer, Sinc Vereor tone page in grey with Fire mode set to TOO MUCH. | Sinc Vereor by Noise Engineering
  • Load image into Gallery viewer, Sinc Vereor config page in cyan with Fire mode set to TOO MUCH. | Sinc Vereor by Noise Engineering
  • Load image into Gallery viewer, Sinc Vereor MIDI page in orange with Fire mode turned off. | Sinc Vereor by Noise Engineering
Sinc Vereor tone page in grey with Fire mode set to TOO MUCH. | Sinc Vereor by Noise Engineering
Sinc Vereor config page in cyan with Fire mode set to TOO MUCH. | Sinc Vereor by Noise Engineering
Sinc Vereor MIDI page in orange with Fire mode turned off. | Sinc Vereor by Noise Engineering

Sinc Vereor: Freequel Bundle

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Intuitive yet powerful synthesizer with wavemorphing and wavefolding, vintage-inspired chorus, and multimode gate

Sinc Vereor’s intuitive and inviting controls belie the power of this lightweight synthesizer. Loosely based on Noise Engineering’s beloved Eurorack module Sinc Iter, the wavemorphing/wavefolding Tone control makes sound design a breeze. Blend between familiar waveforms like saw, triangle, and square. Super mode adds 6 phase-offset oscillators. Use Noise mode to generate self-similar noise for percussion, effects, and more.

We’ve paired this oscillator section with Vereor, our easily manipulated dynamics section using an ADSR envelope controlling a variable slope and analog-inspired multimode gate/filter. Add to that a vintage-inspired chorus and a library of presets, and Sinc Vereor will astound with its versatility.

If you want to quickly create instruments that bridge the gap between traditional subtractive sounds and modern synthesis techniques, Sinc Vereor has you covered.

Sinc Vereor is part of the Freequel Bundle: Grab Sinc Vereor, Virt Vereor, and Ruina now, all Free at the NE Customer Portal. Available in AAX, AU, and VST.


Download the Freequel Bundle Now

You'll be taken directly to the Noise Engineering Customer Portal to download this software.

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Features

Intuitive interface to easily and quickly manipulate the powerful subtractive engine

Use the Random button to generate new patches in one click

Easy to automate, user-friendly controls. No prior synthesis experience needed, but synth enthusiasts will also be inspired by the simple-yet-powerful interface

Based on popular Eurorack module Sinc Iter

Fully MIDI-mappable

Library of 1,000+ presets included

AAX, AU, VST® (not compatible with Pro Tools First)

Manuals

System Requirements

 

64 bit only
Windows Windows 10+
Mac MacOS 10.14+; Intel and M1 Native

 

Learn More

  • “Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”

  • Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

  • “A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”

  • Danielle Thwaites (Daiza)

  • “I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”

  • Daniel Miller (Mute Records)

  • “Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”

  • Sofia Hultquist (Drum & Lace)

  • “Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”

  • Matt Lange

  • “The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”

  • Michael Bradford

  • “Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”

  • Lauren Kop (MiniBear)

  • “As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”

  • Elana Belle Carroll (Party Nails)

  • “The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”

  • René G. Boscio

  • “The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”

  • Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

  • “The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”

  • Tiff Randol (IAMEVE)

  • “I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"

  • Tom Hall, Cycling ’74, Errorgrid

  • “As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”

  • Tori Letzler (TINYKVT)

  • “Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”

  • Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)

“Are you saying I can play chords with BIA (personal favorite voice ever)? Yes. You get polyphony. It’s awesome. I also like the random button to start fresh with, probably some settings I wouldn’t find myself. Very inspiring.”

Arthur Hnatek (Tigran Hamasyan, Erik Truffaz Quartet)

“A sound designer’s dream. NE’s plugins bring the experimental environment of modular synthesis and Eurorack effects ‘in the box’. The audio quality is excellent. If you’ve been wanting to explore what the world of Eurorack is all about, Noise Engineering should be your first port of call.”

Danielle Thwaites (Daiza)

“I was more than pleasantly surprised by the arrival of these plugin versions, they sound absolutely authentic to the originals and I really like the clear and minimal design of the GUI. Now when I need that extra BIA or five for my compositions I will certainly harness the power of these great plugins!”

Daniel Miller (Mute Records)

“Noise Engineering’s new plugin bundle is amazingly versatile and covers a ton of sonic ground. Being able to add the spatially reverberant power of Desmodus on other virtual instruments is astonishing.”

Sofia Hultquist (Drum & Lace)

“Noise Engineering’s Eurorack modules have been some of my favorite tools for a number of years. To be able to take the signature NE sound with the freedom and versatility that a plugin affords (hello polyphony!) is truly inspirational. Beautifully brutal.”

Matt Lange

“The plugins sound amazing. The Basimilus is so punchy, and the default preset is killer! It will make for an amazing tuned kick drum that can change pitch with the chords of the song. It will also give a million new ideas for my hardware version.”

Michael Bradford

“Basimilus Iteritas and Cursus Vereor give you endless possibilities of creating so many different types of sounds from metallic to otherworldly, and their simple layouts make it easy to make an interesting sound right away.”

Lauren Kop (MiniBear)

“As someone who is drawn to the guttural and gritty sounds of Noise Engineering’s modules, but who came up using computers to create music, these plugins are a dream come true! They take every aspect of the physical modules (including the quality of sound) and put it into an easy-to-use digital version.”

Elana Belle Carroll (Party Nails)

“The Desmodus plugin has quickly become my go-to reverb/delay for creating interesting textures. The shift mode introduces beautiful harmonics to anything I slap it on, be it a piano, a guitar, or a string section. It’s one of the plugins that has the most character in my arsenal.”

René G. Boscio

“The Noise Engineering plugins are a great way to get the sonic palette of their modules in a convenient recallable DAW-friendly format, and also a great way to get a taste for their sound without a Eurorack chassis. Both formats are a permanent fixture in my setup that I use on almost every production. Highly recommended…”

Rhys Fulber (Front Line Assembly, Delirium; Producer, Fear Factory and more)

“The Desmodus module stole my heart earlier this year, and being able to use that on my voice is a dream. This is easily my favorite plugin – I put it on EVERYTHING!”

Tiff Randol (IAMEVE)

“I’ve always loved the Noise Engineering sound, so naturally wanting to work in polyphony with that sound was something I always greatly desired. Now it’s easier than ever to have the NE sound in polyphony with as many voices as you have fingers or until you max your CPU"

Tom Hall, Cycling ’74, Errorgrid

“As someone who’s been a longtime user of NE modules, I am blown away by what they have achieved in the plugin space. I’ve never heard any other plugin come as close to the grit and depth of modular quite like this. I think these are really amazing tools.”

Tori Letzler (TINYKVT)

“Everything I own by Noise Engineering is inspirational to me. I love the lateral “out of the box” thinking that has gone into designing these instruments and am supremely excited by the advent of the NE plugins; now I can have my favourite modules in my laptop. These are exciting times.”

Rik Simpson/Rikademus (Producer, Coldplay, Jay-Z, and more)

sounds for your earholes

Asymmetry club bass
Asymmetry noise
Bug buzz
Robot SFX
Soft chip tune
Space guns
Square pulse
Synthetic bells
Think synth bass
Underwater radio
Vocoder almost
Sine with a beat
Wendy's cello